I have a lot of work to do and also I’m running out of photographs to put with the posts. I should be gone for no longer than 4 weeks and by that time I’ll have new photos and new topics! Thanks for reading!
Many will know Dale End, especially the younger generations of today as it is the home of the Carling Academy, a popular haunt for many teenagers hoping to see some of today’s most popular bands. Go back 800 years and this was a popular site for the town too, who hoped to be accepted into a monumental priory dedicated to St Thomas.
Dale End is deep rooted in religious history. A little known fact about the site is the St Thomas Priory that occupied it for several hundred years. It was dissolved under the Tudor reign in 1536 and the buildings were destroyed in 1547. Prosperity here rapidly declined. There was no businesses wishing to set up on site and for 150 years, the site was littered with debris from the demolished priory. Nothing is known of the architecture of the priory but as priories from long ago appear, it must have been on a grand and impressive scale with brilliant architecture which we would no longer be able to achieve often in today’s society. It takes the most ambitious and those who have a bit of money to splash to really undertake something like this – and sometimes it fails such as the Millennium Dome.
It took John Pemberton to finally do something about the site who bought it in 1700. John Pemberton developed the site around Old Square and created a residential district there. The affluence in the area took off. In the 1700s, the Barley Market moved from the Bullring area to the junction of Bull Street and Dale End. In 1763, Sampson Lloyd and John Taylor established a private banking business known as Taylors & Lloyds on the site which would develop into Lloyds Bank. Old Square quickly became the hottest place in town for the rich. The houses were villas with bay windows and were two stories in height. They sat in rows to the square
Old Square was severely affected by the construction of Corporation Street beginning in 1873. The layout was completely rearranged but with it came benefits. New, grand buildings were constructed such as the impressive Grand Theatre. The architecture of the facade of the theatre was reminiscent of the theatre buildings being constructed in Prague which have now become international icons.
The actual site of Dale End was more of a backwater to the affluence and vibrancy being witnessed in Old Square. By the Victorian times, Birmingham’s centre was split into several parishes which later became wards for the council. Each of these had a church, of which many still remain such as St Martins, St Philips, St Pauls and St Thomas’ (though it is now no longer a church and more a monument). Dale End was the location of one of the churches – St Peters. It was described as a noble edifice and not much more. Connecting Dale End to Old Square was Lower Priory which was fronted by a chemical works and many public houses and hotels. Intermingled with all this was a conglomerate of residential properties which developed into slums.
Dale End needed a miracle if it were to rekindle the prosperity of before. That miracle (though it was a tragic one at that) in the form of World War II. Before the war, the site had become a commercial location with shops establishing themselves either side. However, it still retained an air of poverty and people still ignored the site in favour of Corporation Street and the Bullring. So, in came war and the Germans bombed Dale End to an oblivion. The entire street was cleared by the bombs and it experienced some of the worst damage in the city centre.
This heavy destruction set it up for post war development and it didn’t take long. First of all came the inner ring road. This bounded the site at the east and to the north through the construction of the Priory Queensway. One of the biggest acts of architectural vandalism was witnessed in the construction of the queensway – the demolition of the Grand Theatre. Of course it was met with tears and opposition but according to the ‘great’ Manzoni, it was had to go. Following this, in came the next blow – the expiration of leases for buildings on Corporation Street. This presented developers with an opportunity to grasp their own piece of business on the street.
So with these combined factors, Dale End was itself subject to postwar development and this came in the form of Sir Frederick Gibberd. He designed a brand new shopping precinct in the city which began construction in 1964. It was completed and opened in 1966. This Brutalist monster is there today. The concrete facade is featureless with the exception of natures additions of grime and stray vegetation growing in the cracks appearing in the surface. A smell lingers over the site – not helped by the shelter over some parts and lack of air conditioning.
On the opposite side of the road came the Dale House development consisting of a 1970s redbrick multi storey car park with a highrise office structure above it. The complex also presented ground floor retail units which were snapped up by Toys R Us in more recent years.
Today the two edifices remain, and they continue to draw in a trickle of crowds though not at the scale of the early days. Toys R Us have moved from their store in the centre. This is no surprise as anyone could tell you that it was always empty and that the site was enormous. Dale House is slowly being emptied. The markets in Priory Square are slowly shutting down, mainly because of lack of business. Argos is there but deteriorating. It is a sad story.
Luckily, wonder-developers, Birmingham Alliance, have purchased the site and aim to develop it into one of the biggest developments witnessed in Birmingham since the Bull Ring (also by the same developers). Martineau Galleries is to be the second phase to Martineau Place and will feature a major mixed use conglomerate of buildings. Offices will front Corporation Street whilst a pedestrianised piazza in the centre will be the centre of the retail units. The residential units will be located above these and in a 110 metre tower which will dominate the Priory Queensway. A cultural building will front onto Moor Street.
The development will breathe much-needed life into the area and hopefully should begin construction in 2008 when the leases expire. It should be completed around 2011. What is better is that the developers acknowledge the religious history on the site through the priory and St Peter’s Church. Archaeology will play a large role in the construction of the new buildings.
So when you walk down Dale End grumbling at the site of spotty teens raving over the next big band to grace the stage at the Carling Academy, remember that this has happened for centuries and that this place has been a vibrant centre for Birmingham for centuries. The priory is reflected through names of the buildings and roads in the area but little known about so I hope you know a bit more today!
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Categories : 1800s, 1900s, 1960s, 1970s, apartments, arcade, architect, Architecture, argos, Birmingham, brutalist, buildings, Bull Ring, Bullring, car park, church, city centre, concrete, corporation street, dale end, demolition, destroyed, development, eastside, flats, highrise, house, inner ring road, market, markets, martin and chamberlain, modern, multi-storey, office, offices, old square, priory, public, queensway, residential, shopping, shopping centre, square, st thomas, tall, theatre, tower, Tudor, ugly, UK, venue, walkway
Centre City Tower is one of the major office buildings in the city, and is also one of the tallest in the city centre at 76 metres. It is a large building, not just in height, but in girth. This does make the building appear rather stubby from a distance, especially when compared to Holloway Circus Tower just up the road.
This grimy looking building on Hill Street was designed by Richard Seifert and Partners, who were responsible for more graceful buildings in Birmingham such as Alpha Tower, and more famously, in London, Tower 42. Construction commenced in 1972 and was completed in 1975.
The complex consists of two buildings; a podium and the tower itself. The tower is not connected to podium at all, which is a low rise building. When first constructed, the podium contained a nightclub and a theatre.
The theatre was a requirement of the City Council, who stipulated that a public amenity should be provided as a condition of granting planning permission. However, the proximity of three other theatres probably contributed to no-one taking up the concession to run the theatre and it remained unused until 1990, when it and the nightclub space were converted to additional office accommodation, under the title ‘Centre City Atrium’. Before building work commenced, the ‘lost’ theatre was featured in an article in the UK trade journal ‘New Civil Engineer’. A remnant of the long gone theatre is the name ‘Theatre Approach’ for a road nearby.
The 21 storey building has developed a dirty appearance over time due to the undulating concrete surface allowing pollution to become trapped within the texture. This darkening has led to it becoming one of the dullest and most gloomy looking building on the skyline. Luckily, the owners have took it upon themselves to do something about it and in mid-2006, they got the power washers out and started cleaning the podium and tower. This is all part of a campaign to give the tower a more attractive appearance to potential companies setting base there.
I quite like this building. Despite being a typical, boring box shape, it also has some interesting features, such as the ridges running vertically along the tower. I also like the windows and the American-office look they have to them. I like the lighting scheme at night which presents the top of the building in a blue illumination. Plus, the buildings fits into it’s surroundings without being too ordinary. Norfolk House and the buildings on the opposite side of the road all suit the architecture of the building and by no means is it out of place. On the skyline it does look out of place but this is mainly down to the fact that Holloway Circus Tower dominates it in terms of design, colour and sheer size. If I were to improve Centre City – I’d reclad it with a metallic facade. But retain the windows and by no means change the structure at all. It’s presence is rightly deserved and needed in that area.
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Categories : 1900s, 1970s, architect, Architecture, Birmingham, brutalist, buildings, city centre, concrete, highrise, inner ring road, modern, multi-storey, office, offices, refurbishment, tall, tower, ugly, UK
Here’s a different type of post. I am quite a fan of tower blocks! I know a lot of you are going to be quite bewildered to the reasoning behind this as they are generally considered to be the breeding pot of the lower classes and architecturally disgusting. They are concrete boxes. But I can’t help but feel that they were quite a revolution in Birmingham’s history. We couldn’t accommodate all these people in two storey semi-detached houses, and we needed to do something with the slums.
Because Birmingham was not expanding it’s boundaries very quickly in the 1960s, it needed to find new space – and that’s when we looked upwards. Some tower block projects were small, such as the one I’m going to post today, but some were huge – such as the Lee Bank estate which was previously slum territory. After World War II, the site was designated the “Bath Row Redevelopment Scheme” and fantastical ideas for the area were drawn up. These included huge motorways with massive interchanges and flyovers. In the early plans, we saw rows and rows of lowrise maisonette buildings and then a few tower blocks dotted around – all this in a wealth of parkland. This is obviously what we didn’t get and the whole site has been cleared for a brand new, yet similar type, of development called Park Central.
But this is not what I wanted to talk about today. Today, I want to talk about Pritchett Tower in the neighbourhood of St Andrews in Small Heath. Small Heath is very much an inner city area just beyond the middle ring road. Driving along Green Lane, you can see that it has barely been touched by post war development. Terraced houses still remain, though they are not a melting pot for the affluent of Birmingham. It is actually, as you will be aware if you live there, an area populous in foreign migrants. The population of those from Asia has boomed over the last two decades. But this area has always been associated with immigrants. Before the Asians, it was the Irish.
Because Small Heath was inner city, it was ripe for post war development, but for some reason, the council decided not to touch the area around Green Lane. Instead, they decided to go nearer to the middle ring road and start demolishing large amounts of land either side. St Andrews was to be born from here. St Andrews is a name generally associated with the Birmingham City Football Club’s football ground. But the name is also given to the housing estate to the south-east of the ground, which is clearly of 1960s age. The centre-piece of the development was a soaring tower.
Approved in 1969, the St Andrews Project, as it was known before construction, was to be a 57 metre tall, 20 storey tower housing 118 flats. Construction commenced immediately on the site and it rocketed up at a rapid pace, as was commonplace with concrete construction. Just two years later in 1971, Pritchett Tower was completed and ready for the residents to set up base in the tower. The 1970s were to spell the end of this generation of tower blocks due to concerns over quality and safety (as witnessed with Ronan Point in London in 1968). Needless to say, the public took to the tower as there was parkland adjacent. Plus, it offered amazing views over the city, and it still does today.
It’s style is not unique to tower blocks at all. It is rather ordinary, but it was Small Heath’s first tower block – and only tower block – so the residents really took to it at that time. They felt, despite the lack of development in the area, that they were ahead of the times and a futuristic area as compared to other neighbourhoods in Birmingham (though by now, pretty much all of them had a tower block to show off).
Pritchett Tower remains today, overlooking Birmingham and it can be viewed from the Bull Ring. It is the tower block to the left of St Martins Church when viewed from the platform on which Nelson’s statue stands. Located on Arthur Street, it appears as a lone soldier with no real significance. It was one of an estimated 350 tower blocks built by the council, and they are now rapidly disappearing. So, how long is it before we start to see this one get emptied and Coleman moving in with their explosives?
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Categories : 1900s, 1960s, 1970s, apartments, architect, Architecture, Birmingham, block of flats, brutalist, buildings, concrete, development, flats, highrise, house, lonesome, modern, multi-storey, pritchett tower, residential, small heath, st andrews, tall, tower, tower block, ugly, UK
For some crazy reason, I only recently discovered the Ikon Gallery. I often go to Brindleyplace but I rarely stray off into that area where the gallery stands – therefore I found it quite a pleasant surprise and I am sure I will visit it again to check out the architecture and square fronting it.
So, as usual, I have been doing some research into the building to try and understand what it’s about and why it’s there (it can’t have been built as a gallery so long ago – this was the centre of the industrial revolution in Birmingham).
After some extensive research, I discovered that this is yet another work of the great and prolific Martin & Chamberlain, who were commissioned by the Birmingham School Board to design a school building for Oozells Street. In 1877, the school opened and the Ikon Gallery is now set inside this building. I found it quite bewildering that a school was built in such an area. Oozells Street has since lost its vehicular access and is nothing more than a pedestrianised path passing in front of the gallery to Central Square from Broad Street. Maps of this area show that to the rear of the building was an iron works, to the right was an engine works and just next to the iron works was a pin factory. How on Earth did these children study?
It seems the reasoning behind the construction of the school was the density of the population of the area. This was not just crammed with factories and workshops but was also a dense housing area for the working class. The children had nowhere to be educated until this was constructed.
In 1889 Oozells Street Board School became the George Dixon Higher Grade School replacing a school in Bridge Street. The George Dixon School was partly an elementary and partly a Science School. It closed in 1906 when the George Dixon School moved to the site it presently occupies on City Road.
As industry in the area deteriorated due to the slowing pace of national manufacturing, the area fell into a state of neglect. The school building was boarded up and only a few unlucky families remained in the area with the factories.
Argent has breathed new life into the area with the Brindleyplace development and which has brought about the refurbishment of this building. The neo-gothic structure is now the focal point of this square and is a beautiful setting for the gallery which is now becoming an internationally renowned organisation. It is a miracle that this was saved from demolition, as many other Victorian schools have succumb to such a fate. I have a great respect for the building after reading the history.
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Categories : 1800s, 1900s, architect, Architecture, art gallery, Birmingham, brindleyplace, Broad Street, buildings, cafe, city centre, development, factory, gallery, listed, martin and chamberlain, museum, public, refurbishment, school, square, UK, victorians
Island House is locally listed. That means it is not protected by the regular planning laws for listed buildings such as the likes of Birmingham Town Hall and Baskerville House, but it is protected and careful consideration to any alterations has to be taken into account by the planning department.
The origins of the building’s name is unknown too. But when you view it today, then you can certainly say that ‘Island’ is a very appropriate tag for the building. It sits in the middle of a cleared site awaiting development. The nearest structure is a wooden shed guarding the surface car park over the road.
Built in 1911, it takes on a form similar to that of the world famous Flatiron Building in New York City (though the Flatiron Building is so much more taller and older). The reason behind its shape seem a little bemusing when you take into account the site plan. It is a triangular shaped building but the site plan is nothing of the sort. Looking back over older maps, you can see that one road ran past it and that there was still land to the north.
Either way, the triangular shape creates a striking, if not small, view from Moor Street. The light stone material really does make it look elaborate compared to some of the other buildings of this time. The colour emphasises the details on the façade, no matter how unimportant they are.
It received local listing status in the 2000s following plans to redevelop the land opened up by the demolition of Masshouse Circus, which had restricted the growth of the city centre. We were lucky to not see this meet destruction during the course of Masshouse Circus’s demise. The Masshouse land was split into two phases. One phase is currently being developed with one building nearing completion already and the next set to begin by the end of this year. The other phase was loosely connected to the overall plan to move Birmingham Central Library to the Eastside on a site opposite Curzon Street Station. These plans fell through despite a striking design by the internationally renowned Richard Rogers making national headlines. As part of the plan was a residential and commercial scheme – City Park Gate. This involved the demolition of Island House for the construction of three towers with a tail of lowrise buildings branching off.
The project fell into disarray until a revival in the form of news of new architects. By this time, Island House had its listed status. MAKE Architects, an ambitious local architecture firm headed by Ken Shuttleworth, drew up plans for a large development. This incorporated the Fox and Grapes pub as well as Island House.
Planning permission has since been granted and it seems this ambitious proposal could begin very soon. Island House is to get an extra floor constructed on top as well as an extension out the back. It will be dominated by two large buildings either side, one of which will reach a height of 82 metres.
The building is already used by a group called Urban Fusion who are an artistic company. The new development will bring a new lease of life into the building and hopefully transform it into a focal point for the new development which is strategically important in that it links the Bull Ring to Eastside – Birmingham’s next boom area.
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Categories : 1900s, 1911, Architecture, Birmingham, buildings, Bull Ring, Bullring, car park, city centre, city park gate, demolition, destroyed, development, eastside, island house, ken shuttleworth, listed, local listed, locally listed, make architects, office, offices, refurbishment, UK
Sutton Coldfield URC is really a hidden gem. It is a small, quaint church situated in the centre of Sutton Coldfield – nestled between the popular shopping area of the Parade and Gracechurch and the historic and beautiful Sutton Coldfield Conservation area. The 1970s development of the Gracechurch Centre has done nothing to help it become more popular. It is now hidden behind a concrete monstrosity that consists of various shops, a multistorey car park and Knights House, a dull brick office block.
Construction was incredibly quick in those days, eventhough they did not have the same technology we have to do such as piledrivers and mechanical excavators. The foundation stone was laid in June 1879, and less than a year later, in April 1880, the building was completed. The building was different to what we see today. On the church tower next to the entrance, there was a spire which propelled the height. However, in 1960, the spire had become structurally unsafe and had to be removed. Additions to the church came in the form of a ladies parlour in 1902 (now church offices), a chancel and vestries in 1890, the removal of a parting wall between the nave and the transept which opened up the space in the church. In 1904, the church upgraded its lighting system from gas to electric. A new porch was built on the front of the church in 1911. In 1935, the church received a donation of oak panelling which were installed that year.
The church did have school buildings on Station Street, but the construction of the ring road, now Brassington Avenue, required the demolition of the buildings. The church took the opportunity to extend the building closer to the road to create a new area to worship. The church also took the opportunity to reclad the building, however, locals comically took to this and named it the ‘pink church’. Obviously unhappy with the image the church had, the committee removed the cladding and replaced it with the original brickwork in 1991.
Looking through the old photographs of Sutton Coldfield, it is impossible to make out this church in the early 1920s. The main feature on the church in the 1920s was the spire. It was so large and must have doubled the height of the church. It was only recently that I realised it had been removed, and what a terrible loss it was.
I often find myself making comparisons between the Gracechurch Centre with the Bull Ring. They both have a church near it’s centre that can easily become a focal point. The Bull Ring had the possibility of redeveloping, and that it did. Gracechurch is in a more problematic situation meaning that any redevelopment work would cause a lot of disruption to the town and cause alot of problems to businesses. So it remains that Sutton Coldfield URC has to remain hidden behind slabs of horrible concrete, away from the public view. And that, I find, is a real shame for a church that has so much potential.
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Categories : 1800s, 1900s, 1970s, architect, Architecture, Birmingham, brassington avenue, brutalist, buildings, church, churchtower, Coldfield, concrete, gracechurch, multi-storey, shopping centre, spire, Sutton, Sutton Coldfield, UK, URC, victorians