For the first time, I’ll venture into one of most historic areas of Birmingham; the Jewellery Quarter. The Jewellery Quarter is undoubtedly one of the greatest assets to the city with enormous tourism potential. Despite being so close to the city centre, it feels very detached and takes walking down into some sort of a valley and past old empty warehouses to really get there. But when you are there, you find some true gems. Of course, many of you may have noticed that we are not the only ones to recognise the potential of the area. Look around now, and you’ll notice the large number of ‘For sale’, ‘To let’ and ‘SOLD’ signs on the old buildings. Enormous redevelopment schemes have been proposed to provide vast numbers of residential properties and commercial units. The Jewellery Quarter is undergoing a vast regeneration. But despite this, many people in Birmingham fail to know the Jewellery Quarter exits. This is a place that claims to have the highest concentration of professional jewellers in Europe. And in my eyes, this is the place with some of the most spectacular jewels in Birmingham’s crown.
One of these jewels is the George & Dragon public house. Now, it’s setting is hardly the most vibrant of places. I discovered it by walking along Legge Lane, which is a sight for sore eyes. The roads are quiet, there are no people about, and the only noise is that of the city centre or of the wind rustling through the vegetation growing of the roofs of derelict workshops. So, when I set eyes upon this pub, I realised it was succumbing to the fate of so many pubs in city. The ground floor windows and doors are boarded up and the windows on the upper floors have been smashed or partially boarded up – although I was surprised to find some of the larger windows intact. It was a terrible site when considering the history of the building.
A close look at the building shows that this edifice had undergone many extensions in it’s time. The corner of the building at Pope Street/ Albion Street lacks detail. The sash windows are set in rather plain brick work. This led me to believe that it was pre-Victorian, and my research agrees with me. This corner was built around 1820, though the detail is not known for certain. The corner here is chamfered at the ground floor and an overhang above it. The alignment of the windows gives the impression that there are three floors.
Moving along Albion Street, and the brick work changes to a lighter combination. Something else changes too – the alignment of the windows. There now appears to only be two floors. Another thing about the windows is the size and detail that they are set within. The three windows on the upper floor consist of two long windows, topped with arches. Set between these is an oriel window, decorated in a Gothic revival architecture. Although, this deteriorating, which is expected as the wood has not been replaced since construction. On the Carver Street/ Albion Street junction is a rounded corner with stucco panelling. This curvature is reflected in the roof line. The Carver Street elevation features yet another oriel window, albeit in better condition than the other. Also in the Gothic revival architecture, is the ground floor elevation. It is obvious from the exposed wood that around the doors were wooden columns holding up the rest of the door frame. These have since been removed. This section of the building was built between 1860-1870. The architect is unknown. It can be seen that during the construction of this part, the rest of the building was refurbished and altered. This is seen through the roofline which is supported by paired brackets.
Despite this, the pub was to undergo yet another extension, just on a smaller scale. It is this extension that really caught my eye, too. The extension is on the Carver Street side and is only one storey in height. To me, this doesn’t look useful at all and only appears to have been constructed using the profits of the pub owner. It is just a fancy entrance to the back of the pub. But despite this talk, I love it. In the centre of the extension is a deepset entrance under an arch. This is a diluted form of classical architecture, and in my previous blog post, I noted the revival of classical architecture in a certain time period – the 1920s and 1930s. Can you guess when this extension was built? Yes, the 1920s-30s period. It was designed by James and Lister Lea and completed in 1922.
So, here stands the pub looking pretty dreary. It is Grade II listed but I can see most of the building being demolished in the future, leaving the façades to be incorporated into a modern extension. This seems to be a common practice in these times. Facadism is actually frowned upon by many conservation groups but it really is necessary if the existing structure is economically unsustainable. But there must be a line drawn between making the façade a fundamental part of the building and just incorporating a façade into a building for the hell of it (ie. Orion Building). I just hope, that no one allows this pub to fall down or be demolished completely. With such architectural diversity and history, it is a gem and one that needs some polishing in the Jewellery Quarter crown.